← 返回新闻首页
韩国主流

Hungarian calligraphers reinterpret Hangeul in new Seoul exhibition

A Hungarian calligraphy collective has brought its unique interpretations of Hangeul to Seoul, showcasing Korean lettering through a European artis...

The Korea TimesLee Kyung-min查看原文 ↗
Hangeul calligraphy by Queen Hyoui (1753-1821), wife of King Jeongjo (1776-1800) of the Joseon Dynasty (1392-1910), preserved in book form at the National Hangeul Museum. The work is designated a National Treasure. Courtesy of National Hangeul Museum
Hangeul calligraphy by Queen Hyoui (1753-1821), wife of King Jeongjo (1776-1800) of the Joseon Dynasty (1392-1910), preserved in book form at the National Hangeul Museum. The work is designated a National Treasure. Courtesy of National Hangeul Museum

Munbangsawu, a Hungarian calligraphy group, is exhibiting its interpretations of Hangeul at the 2026 Asian Calligraphy Festival VI in Seoul, which opens Thursday at the Seoul Calligraphy Museum inside Seoul Arts Center. The exhibition runs through Nov. 14 and features 15 works by 12 members, the only invited group from outside Asia. Members are attending the opening to explain their work and share their experiences studying Hangeul calligraphy. The delegation also plans meetings in Seoul to discuss future cultural programs and exhibitions in Hungary.

Munbangsawu began with Korean calligraphy classes offered by the Korean Cultural Center in Hungary in 2013, and participants have continued studying the art form.

The invitation followed visits to Hungary by Lee Sang-bae, vice chairman of the Korea Literary Painting Association, in 2025 and August 2026.

The delegation plans to visit the Liszt Institute Hungarian Cultural Center in Seoul to discuss potential joint programs and cultural initiatives between the two countries.

Members will meet with the Asian Calligraphy Association to explore organizing Hangeul calligraphy exhibitions and workshops in Hungary.

Yoo Hye-ryeong, director of the Korean Cultural Center in Hungary, said the exhibition reflects sustained local interest in Korean calligraphy developing into international cultural exchange.

Published Nov 5, 2026 1:57 pm KST

Updated Nov 5, 2026 5:55 pm KST

Hangeul calligraphy by Queen Hyoui (1753-1821), wife of King Jeongjo (1776-1800) of the Joseon Dynasty (1392-1910), preserved in book form at the National Hangeul Museum. The work is designated a National Treasure. Courtesy of National Hangeul Museum

A Hungarian calligraphy collective has brought its unique interpretations of Hangeul to Seoul, showcasing Korean lettering through a European artistic lens.

Munbangsawu, a Hungarian calligraphy group formed by students of the Korean Cultural Center in Hungary, has been invited to participate in the 2026 Asian Calligraphy Festival VI, which opens Thursday at the Seoul Calligraphy Museum inside Seoul Arts Center.

The exhibition runs through Nov. 14 and features 15 works by 12 Hungarian members, making Munbangsawu the only invited foreign group from outside Asia.

The members are also traveling to Korea to attend the opening ceremony, explain their works and introduce visitors to their experiences studying Hangeul calligraphy.

The group traces its beginnings to Korean calligraphy classes offered by the Korean Cultural Center in Hungary in 2013, where participants have continued learning the traditional art form over the years.

The invitation followed visits to Hungary by Lee Sang-bae, vice chairman of the Korea Literary Painting Association, in 2025 and August 2026, when he encountered the students' calligraphy skills and enthusiasm for Korean traditional culture.

Beyond the exhibition, the delegation plans to visit the Liszt Institute Hungarian Cultural Center in Seoul to discuss potential joint programs and cultural initiatives between the two countries.

Members will also meet with the Asian Calligraphy Association to explore opportunities to organize Hangul calligraphy exhibitions and workshops in Hungary, extending the exchange beyond the current event.

Yoo Hye-ryeong, director of the Korean Cultural Center in Hungary, said the exhibition represents the development of a sustained local interest in Korean calligraphy into an international cultural exchange.

“This exhibition is meaningful because Korean calligraphy activities that have continued steadily in Hungary have developed into exchanges with Korea’s calligraphy community,” Yoo said.

“It is also a significant achievement that the center’s educational programs have grown into local community activities and expanded into an invited exhibition in Korea and international cultural exchange.”

This article was published with the assistance of generative AI and edited by The Korea Times.

手机左右滑动,电脑按 ← → 键,也能切换新闻